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Alex Gollner has been a prolific developer of free Final Cut Pro plug-ins, but this is his first commercial effort. Nevertheless, these two filters do a very nice job with poor audio, without presenting the cost and complexity of other well-known audio products.įor a little bit of spice in your Final Cut Pro X timelines, it’s worth checking out the Alex4D Animated Transitions from FxFactory. If you use it to its extreme range, the result sounds like you are underwater. When applying any audio “clean up” filter, a little goes a long way. As with Apple’s own built-in controls, each filter includes a few sliders to adjust strength and how the effect is applied. These two effects are easy-to-use Apple Audio Units filters designed to improve poorly recorded location audio.

AudioDenoise and EchoRemover are two Final Cut Pro X plug-ins sold through the FxFactory application. Existing lengths will be overwritten when you drop the effect onto the clip, so make sure you make these adjustments last.ĬrumplePop is another developer known for its video effects but they, too have decided to add audio effects to their repertoire. If you want to tweak the length, apply the effect first and then adjust the length puck on the clip as needed. Drag-and-drop the preset with the fade length closest to what you want and it automatically adjusts the fade handle length at both ends of that audio clip. XEffects Fades includes a set of preset fade handles, which are applied to the audio on your timeline clips.

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Download and install the free pack and you’ll find the XEffects Fades group in the audio plug-ins section of your effects palette. Although they are primarily a video effects developer for Motion and Final Cut Pro X, they recently added a set of audio fade presets for FCPX. If you really like the ability to finesse your transitions, then Super Dissolve hits the spot.įree is good, so check out Idustrial Revolution’s free effects.

As with the default FCPX dissolve, there’s also an audio crossfade adjustment, since FCPX transitions can effect both audio and video when these elements are combined.

For example, a quick fade with a blur off the outgoing clip, while bringing the incoming side up more slowly. Since you have control over the outgoing and incoming clips separately, different values can be applied to either side, thus enabling an asymmetrical effect. A dissolve is nothing more than a blend between two images, so Super Dissolve exposes the same types of under-the-hood controls as After Effects and Photoshop artists are used to with compositing modes.ĭrop the Super Dissolve in as a transition and you have control over blending modes, layer order, easing controls with timing, and the blurring of the outgoing and/or incoming image.

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It shows up in the FCPX transitions palette as a dissolve effect, plus a set of presets for fades, dips and custom curves. This installs through the FxFactory application. Since this is such a neglected area, the development team behind the Hawaiki plug-ins decided to create Super Dissolve – a dissolve transition plug-in for Final Cut Pro X with many more options.

Audio mixers are used to several different types of crossfades. After all, even the original Media Composer came with both a video and a film-style dissolve. Given how often most editors use a dissolve transition, it’s amazing that few NLE developers spend any time creating more than a basic video dissolve, fade or dip. The classical approach to editing transitions suggests that all you need is a cut and a dissolve. Here are a few quick items that can expand your editing arsenal. It’s often the little things that improve your editing workflow.

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